ART iT from Japan
ART iT launched in 2003 as a bilingual Japanese-English quarterly print publication, the first of its kind in Japan. From its inception, the magazine's mission was to link contemporary art events happening in Japan to those taking place elsewhere in the region and around the world.
In 2009, ART iT began the next phase of its development by converting to an exclusively online publication and social networking site combining both editorial and user-generated content created by leading Japanese and international artists and art professionals as well as casual art enthusiasts.
ART iT intends to rethink the nature of online media. Rather than focusing on constantly updated information, the publication features in-depth, articulated ideas about contemporary art and culture.
http://www.art-it.asia/
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Posts I like
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Yoko Ono viewing work by Cindy Sherman at the MOMA. Yoko’s review: “You should definitely go see it. You will see thousands...
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Christian Fernandez | The Web Bridge
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Wade Guyton
Untitled (420 Landschaft beim Muenchner Exerzierplatz. 1910), 2007
Epson DURABrite inkjet on book page
(14.6 x 21 cm)
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Chris Burden, Metropolis II at LACMA (Taken with instagram)
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The New Museum by SANAA in New York #architecture
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Martin Creed
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Josephine Meckseper
“American Leg”
25 May - 2 September 2012 at Contemporary Art Gallery in Vancouver, British Columbia -
Le Corbusier - Maison du Brésil, Paris 1958. Via.
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Le Corbusier - Palais des Filateurs, Ahmedabad 1951. Via, and the rest of the amazing set of Corb images by Cemal Emden here.
Tag Results
21 posts tagged video art
“Pipilotti Rist: Pour Your Body Out (7,354 Cubic Meters)” at the Museum of Modern Art
John Smith(Left) and Walead Beshty @ Tanya Leighton | Wallspace (INDEPENDENT, New York)
Produced over the course of two years, Christian Marclay’s The Clock (2010) combines clips from thousands of films into a 24-hour video collage that also functions as a working clock. Splicing together footage of clocks and watches for every minute of a 24-hour day, The Clock overlays filmic time with real time in a way that draws viewers into an endless narrative even as it triggers their recognition of temporal reality. This effect was achieved not only through intensive film editing to create a convincing, if false, continuity among the various actions depicted in the clips, but also through intensive sound editing to equalize the disparate soundtracks into a shared audio space. (Via ARTiT_Christian Marclay Interview)
matthew barney, the cremaster cycle.
ANRI SALA
Ulysses, 2007
Drumkit, Recording Equipment, score (written with Jeremy Millar) and 2 Audio CDs
Installation view, Hauser & Wirth London, 2007
