ART iT from Japan
ART iT launched in 2003 as a bilingual Japanese-English quarterly print publication, the first of its kind in Japan. From its inception, the magazine's mission was to link contemporary art events happening in Japan to those taking place elsewhere in the region and around the world.
In 2009, ART iT began the next phase of its development by converting to an exclusively online publication and social networking site combining both editorial and user-generated content created by leading Japanese and international artists and art professionals as well as casual art enthusiasts.
ART iT intends to rethink the nature of online media. Rather than focusing on constantly updated information, the publication features in-depth, articulated ideas about contemporary art and culture.
http://www.art-it.asia/
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Posts I like
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Yoko Ono viewing work by Cindy Sherman at the MOMA. Yoko’s review: “You should definitely go see it. You will see thousands...
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Christian Fernandez | The Web Bridge
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Wade Guyton
Untitled (420 Landschaft beim Muenchner Exerzierplatz. 1910), 2007
Epson DURABrite inkjet on book page
(14.6 x 21 cm)
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Chris Burden, Metropolis II at LACMA (Taken with instagram)
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The New Museum by SANAA in New York #architecture
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Martin Creed
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Josephine Meckseper
“American Leg”
25 May - 2 September 2012 at Contemporary Art Gallery in Vancouver, British Columbia -
Le Corbusier - Maison du Brésil, Paris 1958. Via.
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Le Corbusier - Palais des Filateurs, Ahmedabad 1951. Via, and the rest of the amazing set of Corb images by Cemal Emden here.
Tag Results
10 posts tagged sasnal
Reducing horror to a mere formalist problem.
What tip are you on?
Sasnal, Wilhelm. Landscape, 2001.In Landscape, a row of Eastern European houses is half obliterated by a smoke bomb. In an image reminiscent of news clippings, Sasnal impersonalises the violence until it becomes nothing more than a perfect cloud. Dehumanised to the point of abstraction, Sasnal reduces horror to a mere formalist problem: a structural composition of terror; a self-absorbed contemplation of the sublime.
- The Saatchi Gallery
There’s something especially apocalyptic and reductive about Sasnal’s paintings. Calculated tonality and rudimentary… as if the photographic source is disintegrating before the canvas itself.
Sasnal, Wilhelm. Gym Lesson, 2000.
