ART iT from Japan

ART iT launched in 2003 as a bilingual Japanese-English quarterly print publication, the first of its kind in Japan. From its inception, the magazine's mission was to link contemporary art events happening in Japan to those taking place elsewhere in the region and around the world.

In 2009, ART iT began the next phase of its development by converting to an exclusively online publication and social networking site combining both editorial and user-generated content created by leading Japanese and international artists and art professionals as well as casual art enthusiasts.

ART iT intends to rethink the nature of online media. Rather than focusing on constantly updated information, the publication features in-depth, articulated ideas about contemporary art and culture.

http://www.art-it.asia/

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thirtyfivemm: The La Brea Matrix What spheres of influence are there within photography? How can we grasp reception history in a specific case? How can we recognize the references of creative works? The La Brea Matrix Project explores the complex relationship between art photographers on both sides of the Atlantic. At its core is an icon of New Color Photography by Stephen Shore. The Picture La Brea made photographic history. With the help of German photo-grapher Bernd Becher, the photograph was shown at documenta 6 in Kassel, Germany, as early as 1977. It was also printed in Sally Eauclaire‘s survey The New Color Photography, which was published in 1981 and which helped American color photography achieve its international break-through. The following year, La Brea appeared in Shore‘s photobook Uncommon Places. Thereafter, the photograph began exerting a long-terminfluence as a result, among other things, of Becher‘s work as a teacher at the art academy in Düsseldorf. Thomas Struth, Thomas Ruff, Andreas Gursky and other renowned art photographers of the Becher school have all acknowledged the influence of Stephen Shore. The Project La Brea, Stephen Shore‘s key photograph of 1975, constitutes the conceptual core of the La Brea Matrix Project. Six art photographers from Germany have accepted an invitation to Los Angeles as part of an artist-in-residence program in 2009 and 2010 to search for photographic points of reference to this iconic picture. These photographers are Jens Liebchen (Berlin) Max Regenberg (Köln / Cologne)Oliver Sieber (Düsseldorf)Olaf Unverzart (München/Munich)Robert Voit (München / Munich)Janko Woltersmann (Hannover / Hanover) Ausstellung / Exhibition: Germany Vom 14. November 2009 bis 13. Janur 2010 in der Galerie Kaune in Köln zu sehen Di. - Sa. von 13-18.00 Uhr sowie nach Vereinbarung Die Ausstellung ist der Auftakt eines bis 2012 angelegten Fotoprojekts der Buchhandlung schaden.com in Köln und The Lapis Press, Los Angeles. USA January 14-17, 2010 Photo LA Los Angeles Photographic Art Exposition mehr ; FAZ - Auf den Spuren einer Tankstelle

thirtyfivemm:

The La Brea Matrix

What spheres of influence are there within photography? How can we grasp reception history in a specific case? How can we recognize the references of creative works? The La Brea Matrix Project explores the complex relationship between art photographers on both sides of the Atlantic. At its core is an icon of New Color Photography by Stephen Shore.

The Picture
La Brea made photographic history. With the help of German photo-grapher Bernd Becher, the photograph was shown at documenta 6 in Kassel, Germany, as early as 1977. It was also printed in Sally Eauclaire‘s survey The New Color Photography, which was published in 1981 and which helped American color photography achieve its international break-through. The following year, La Brea appeared in Shore‘s photobook Uncommon Places. Thereafter, the photograph began exerting a long-terminfluence as a result, among other things, of Becher‘s work as a teacher at the art academy in Düsseldorf. Thomas Struth, Thomas Ruff, Andreas Gursky and other renowned art photographers of the Becher school have all acknowledged the influence of Stephen Shore.

The Project
La Brea, Stephen Shore‘s key photograph of 1975, constitutes the conceptual core of the La Brea Matrix Project. Six art photographers from Germany have accepted an invitation to Los Angeles as part of an artist-in-residence program in 2009 and 2010 to search for photographic points of reference to this iconic picture.
These photographers are

Jens Liebchen (Berlin)
Max Regenberg (Köln / Cologne)
Oliver Sieber (Düsseldorf)
Olaf Unverzart (München/Munich)
Robert Voit (München / Munich)
Janko Woltersmann (Hannover / Hanover)

Ausstellung / Exhibition:

Germany

Vom 14. November 2009 bis 13. Janur 2010 in der Galerie Kaune in Köln zu sehen Di. - Sa. von 13-18.00 Uhr sowie nach Vereinbarung

Die Ausstellung ist der Auftakt eines bis 2012 angelegten Fotoprojekts der Buchhandlung schaden.com in Köln und The Lapis Press, Los Angeles.

USA

January 14-17, 2010

Photo LA

Los Angeles Photographic Art Exposition

mehr ; FAZ - Auf den Spuren einer Tankstelle

Source monolg

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